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The Concept of Zushi: On Enshrinement and Mobility of Buddhist Art in JapanChun Wa Chan, The Concept of Zushi: On Enshrinement and Mobility of Buddhist Art in Japan, Japanese Religions 43 (2018): 17–37.
26
Kuan-yin: The Chinese Transformation of AvalokitesvaraChun-fang Yu, Kuan-Yin: The Chinese Transformation of Avalokitesvara (New York: Columbia University Press, 2001), http://www.worldcat.org/oclc/182529902.
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Defining Chu: Image and Reality in Ancient ChinaConstance Cook, Defining Chu: Image and Reality in Ancient China (Honolulu: University of Hawai’i Press, 1999), http://www.worldcat.org/oclc/1074731917.
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The Liao, Song, Xi Xia, and Jin DynastiesDaiheng Guo, The Liao, Song, Xi Xia, and Jin Dynasties, in Chinese Architecture (New Haven, Beijing: Yale University Press, New World Press, 2002), 135–98, http://www.worldcat.org/oclc/471610155.
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The Pratītyasamutpādagāthā and Its Role in the Medieval Cult of the RelicsDaniel Boucher, The Pratītyasamutpādagāthā and Its Role in the Medieval Cult of the Relics, The Journal of the International Association of Budhist Studies 14, no. 1 (1991): 1–27.
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Idealizing a Chinese StyleDelin Lai, Idealizing a Chinese Style, Journal of the Society of Architectural Historians 73, no. 1 (2014): 61–90, https://doi.org/10.1525/jsah.2014.73.1.61.
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The Cambridge History of China: Volume 1: The Ch'in and Han Empires, 221 BC–AD 220Denis Twitchett and Michael Loewe, eds., The Cambridge History of China: Volume 1: The Ch’in and Han Empires, 221 BC–AD 220, vol. 1, The Cambridge History of China (Cambridge: Cambridge University Press, 1986), https://doi.org/10.1017/CHOL9780521243278.
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Stūpa Elements Surviving in East Asian PagodasDietrich Seckel, Stūpa Elements Surviving in East Asian Pagodas, in The Stūpa: Its Religious, Historical and Architectural Significance, ed. Anna Libera Dallapiccola and Stephanie Zingel-Avé Lallemant (Wiesbaden: Steiner, 1980), 249–59.
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Buddhist Pilgrim-monks as Agents of Cultural and Artistic Transmission: the International Buddhist Art Style in East Asia, ca. 645-770Dorothy C. Wong, Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770 (Singapore: NUS Press, 2018).
34
Hōryūji ReconsideredDorothy C. Wong, Hōryūji Reconsidered (Newcastle: Cambridge Scholars Press, 2008).
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Travels and researches in western ChinaEdward Colborne Baber, Travels and Researches in Western China, Royal Geographical Society (Great Britain) (London: John Murray, 1882).
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Some Chou and Han Architectural TermsElse Glahn, Some Chou and Han Architectural Terms, Bulletin - The Museum of Far Eastern Antiquities 50 (1978): 105–25.
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Chinese History: A ManualEndymion Porter Wilkinson, Chinese History: A Manual, Revised and Enlarged (Cambridge, Mass.: Harvard University, Harvard University Asia Center, 2000), http://www.worldcat.org/oclc/633161035.
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The “Religion of Images”? Buddhist Image Worship in the Early Medieval Chinese ImaginationEric M. Greene, The ‘Religion of Images’? Buddhist Image Worship in the Early Medieval Chinese Imagination, Journal of the American Oriental Society 138, no. 3 (2018): 455–84, https://doi.org/10.7817/jameroriesoci.138.3.0455.
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The Buddhist Conquest of China: the Spread and Adaptation of Buddhism in Early Medieval ChinaErik Zürcher, The Buddhist Conquest of China: The Spread and Adaptation of Buddhism in Early Medieval China, 3rd ed., Brill EBook Titles 2007 (Leiden: Brill, 2007).
40
What Do Trigrams Have to Do with Buddhas? The Northern Liang Stupas as a Hybrid Spatial ModelEugene Y. Wang, What Do Trigrams Have to Do with Buddhas? The Northern Liang Stupas as a Hybrid Spatial Model, RES: Anthropology and Aesthetics, no. 35 (1999): 70–91, https://doi.org/10.1086/RESv35n1ms20167018.
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Of the True Body: The Famen Monastery Relics and Corporeal Transformation Tang Imperial CultureEugene Y. Wang, Of the True Body: The Famen Monastery Relics and Corporeal Transformation Tang Imperial Culture, in Body and Face in Chinese Visual Culture (Cambridge, Mass: Harvard University Asia Center: Distributed by Harvard University Press, 2005), 79–118.
42
Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval ChinaEugene Yuejin Wang, Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China (Seattle, Wash: University of Washington Press, 2005).
43
A record of Buddhistic kingdoms: being an account by Fa-hien of his travels (A.D. 399-414)Fa-hsien and James Legge, A Record of Buddhistic Kingdoms: Being an Account by Fa-Hien of His Travels (A.D. 399-414) (New York: Paragon, 1965), https://archive.org/details/recordofbuddhist0000fahs.
44
The Encyclopedia of TaoismFabrizio. Pregadio, The Encyclopedia of Taoism, 1st ed., 2 vols., Taoism (London ; Routledge, 2008), http://www.worldcat.org/oclc/45484311.
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A Visual Dictionary of ArchitectureFrancis Ching, A Visual Dictionary of Architecture (Hoboken, New Jersey: Wiley, 2012).
46
The "Shuowen Jiezi" Dictionary and the Human Sciences in ChinaFrançoise Bottéro and Christoph Harbsmeier, The ‘Shuowen Jiezi’ Dictionary and the Human Sciences in China, Asia Major, Third Series, 21, no. 1 (2008): 249–71, https://www.jstor.org/stable/41649948.
47
The Legend of MiaoshanGlen Dudbridge, The Legend of Miaoshan, Revised Edition, 2004, http://www.worldcat.org/oclc/940650224.
48
Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in IndiaGregory Schopen, Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India, Studies in the Buddhist Traditions; Variation: Studies in the Buddhist Traditions. (Honolulu: University of Hawai’i Press, 1997).
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The Text on the "Dhāraṇī Stones from Abhayagiriya": A Minor Contribution to the Study of Mahāyāna Literature in CeylonGregory Schopen, The Text on the ‘Dhāraṇī Stones from Abhayagiriya’: A Minor Contribution to the Study of Mahāyāna Literature in Ceylon, Journal of the International Association of Buddhist Studies, no. 5 (1982): 105–8.